Drawing the identity of architect: Liu Jipiao as an artistic architect in the late 1920s China

This article investigates the responsibility of architectural drawing in developing professional identity modern architects late 1920s when Chinese started to emerge and assume title “architect.” Using as both its subject method, this research interrogates how a representative figure – Liu Jipiao employed power establish architect. paper argues that drawing, establishing architect, faced requirement build an affinity between architect artist. The entangled history these two professions offers up artistic Liu's fulfilled previously mentioned earned distinguished them from their counterparts engineers. Under perspective multiple modernities, challenges contemporary misreading irrelevant individual intellectual his practice minor failure. Furthermore, invites further reflection on modernity shows such made more attempts convey subjectivity rather than transmit technique per se.